
Not only was the work more finely finished here, but some more traditional elements of design were usually retained. For example, most of the kiras I was shown in Goenpaka had a japang (or japgang) at each end. Japang simply means “bottom” and on the kira it is a panel where the stripes run weft-wise instead of warpwise as on the main part of the kira. When wrapped on the woman’s body, one of these end-panels ends up on the outside at the back, over her bottom.
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