The Bhutanese describe the width of these supplementary warp patterns in “legs” which are counted in the cross-hatched bars that run at right angles across the yellow and red stripes. Continue reading
In this close-up, you can see how the supplementary weft threads in this type of pattern (on the green ground in this gho) are taken all the way to the rainbow stripes, and the point where they reverse direction is hidden there. Continue reading
Thrima means “to coil” and there are several ways the Bhutanese coil the supplementary weft threads in their kushu designs. Continue reading
Sapma designs look very similar to supplementary weft patterns from non-Bhutanese weaving traditions, except that the Bhutanese technique is not visible on the reverse of the fabric. The other difference is that thread ends are worked as pairs. Continue reading
Kushutara means brocaded dress, and refers to cloth decorated with the intricate kushu techniques, involving discontinuous supplementary wefts. Continue reading
The rigid part of a Bhutanese backstrap loom consists of a platform to sit on connected to a vertical frame Continue reading
