
When I was volunteering at Ock Pop Tok in 2011-12, I used to sometimes take a break to visit Mon and watch her weave beaded patterns on her Katu backstrap loom. Continue reading

When I was volunteering at Ock Pop Tok in 2011-12, I used to sometimes take a break to visit Mon and watch her weave beaded patterns on her Katu backstrap loom. Continue reading

Near Kompong Cham, I visited several weavers in and near the village of Prae Chung Kran, where I had been told hol was being woven. Continue reading

Luntaya acheik, the celebrated “100-shuttle” tapestry fabric from the Mandalay area of Burma, is woven with tiny shuttles with tapered ends that allow them to do double duty as pickup sticks. Continue reading

Weavers in the Mandalay area specialise in acheik, sometimes called lun taya acheik, meaning 100-shuttle design. While not always using 100 shuttles, there were certainly plenty!

Cambodian hol fabric is patterned before it is woven, by tieing and dyeing the pattern into the weft threads. Continue reading

Ever since I bought my first piece of piece of 2/1 twill ikat silk in Chiangmai in 2001, I had wanted to see it woven, and finally in 2012 I was bumping along in a tuk-tuk heading out of Phnom Penh to Phnom Chisor to visit hol weavers. Continue reading
I was very impressed with the standard of weaving I found when I visited the Houey Hong Vocational Training Centre for Women. Continue reading

Cambodian hol is woven on a plain warp, with all the design being in the pre-patterned weft (see Hol Weft Preparation). Once the warp is wound onto the board that will hold it at the foot of the loom, the hundreds of ends of very fine silk must be threaded through the reed (heddles are created once the warp is on the loom).
I came across this magnificent piece at Nikone Gallery in Vientiane. Continue reading