Namgay at Druk Siddhi Tours has announced that he will offer a 15% discount on the 2018 Textile Tour of Bhutan.
Total tour costs are reduced from USD $4135 to only USD $3515 per person (twin share/double, land package). Single room supplements remain the same at USD $510
This unique tour is designed to connect you with locals and offer hands on experiences.
This magical journey will wind through fertile valleys and villages, traversing the country to reach the little-visited textile heartland of ‘kushutara’ in Eastern Bhutan. This trip is designed to deepen your experience of this fascinating country with a focus on Bhutanese textiles and interactions with locals. Continue reading →
A few days ago, I was privileged to view the beautiful textiles submitted for Bhutan’s national textile competition and enjoyed another embroidery that beautifully portrayed textiles. Continue reading →
I wrote previously about Textiles Imitating Textiles with reference to pieces in the exhibition China: Through the Lens of John Thomsonat the National Textile Museum in Washington DC. Here are some more of the incredible pieces on display there for another fortnight.Continue reading →
I am fascinated by cross-pollenations between textiles of different cultures (such as batik influenced by patola designs, or block-printed fabrics imitating Thai kit designs) as well as across media (such as stone carvings depicting patterning in clothing). In October, I finally made my first visit to the National Textile Museum in Washington DC, and saw the exhibition China: Through the Lens of John Thomsonand found another skilled imitation of one textile technique in another textile medium.Continue reading →
Among pieces of tie-dye I had purchased in Arimatsu in Japan, were some pieces of indigo-dyed heavy cotton. I was fascinated with the small butterfly stitch-resist patterns, but despite scouring books on shibori techniques, I failed to find out how to create them myself. Continue reading →
To create a new pattern heddle storage system, the weaver begins with her loom warped with the warp threads passing through a pair of fixed heddles for the ground weave, and then behind that, each warp end passing through it’s own long vertical string heddle. Continue reading →
To avoid having to pick up the required warp threads to create each row of a supplementary weft pattern, Lao-Tai weavers have devised several methods of storing these patterns on their loom. Continue reading →