
Luntaya acheik, the celebrated “100-shuttle” tapestry fabric from the Mandalay area of Burma, is woven with tiny shuttles with tapered ends that allow them to do double duty as pickup sticks. Continue reading

Luntaya acheik, the celebrated “100-shuttle” tapestry fabric from the Mandalay area of Burma, is woven with tiny shuttles with tapered ends that allow them to do double duty as pickup sticks. Continue reading

Cambodian hol fabric is patterned before it is woven, by tieing and dyeing the pattern into the weft threads. Continue reading

Ever since I bought my first piece of piece of 2/1 twill ikat silk in Chiangmai in 2001, I had wanted to see it woven, and finally in 2012 I was bumping along in a tuk-tuk heading out of Phnom Penh to Phnom Chisor to visit hol weavers. Continue reading
I was very impressed with the standard of weaving I found when I visited the Houey Hong Vocational Training Centre for Women. Continue reading

Cambodian hol is woven on a plain warp, with all the design being in the pre-patterned weft (see Hol Weft Preparation). Once the warp is wound onto the board that will hold it at the foot of the loom, the hundreds of ends of very fine silk must be threaded through the reed (heddles are created once the warp is on the loom).
The ghada is woven in narrow strips, with an interesting technique for creating the textured bands that run weft-wise. Continue reading
Seeing the dark and cramped space where these saris are woven, I perfectly understood why the senior weavers from this workshop had taken their warp to the local park to prepare it for mounting on the loom. Continue reading
Dhaka cloth can be woven with the pattern threads inlaid along with a ground weft thread, or only using only pattern threads in the weft, which produces an effect like tapestry. Continue reading
This weaver had set up outside a shop in the bus park at Burtibang, a transport hub town in western Nepal. Her loom set-up was very similar to the backstrap looms used in Bhutan, Continue reading