To create a new pattern heddle storage system, the weaver begins with her loom warped with the warp threads passing through a pair of fixed heddles for the ground weave, and then behind that, each warp end passing through it’s own long vertical string heddle. Continue reading
Author Archives: Wendy Garrity
Luang Prabang: Lao-Tai pattern heddles
To avoid having to pick up the required warp threads to create each row of a supplementary weft pattern, Lao-Tai weavers have devised several methods of storing these patterns on their loom. Continue reading
Laos: Chok & Kit
Lao-Tai weavers introduce patterns into their weaving in several ways, one of which is by inserting extra weft yarns after each pick of ground weave.
Bhutan: Transforming Traditions
I recently encountered a Bhutanese kira that is unlike any other I have seen. The weaver has pushed the boundaries both literally and figuratively. Continue reading
Laos: Warping a Lao-Tai loom
I had plenty of opportunities to see all stages of warp preparation while I was at Ock Pop Tok for 2 months and during a couple of visits to Vientiane, Continue reading
Vientiane: Phaeng Mai Gallery
I saw this impressive piece covered in sihos (mythical lion-elephant creatures) pregnant with double-headed nagas (protective river serpents) and carrying their young and a frogman (or perhaps an ancestor spirit) on their backs at Phaeng Mai Gallery in Vientiane. Continue reading
Luang Prabang: Katu weaving at Ock Pop Tok
When I was volunteering at Ock Pop Tok in 2011-12, I used to sometimes take a break to visit Mon and watch her weave beaded patterns on her Katu backstrap loom. Continue reading
Kompong Cham: Hol weavers
Near Kompong Cham, I visited several weavers in and near the village of Prae Chung Kran, where I had been told hol was being woven. Continue reading
Ah-Rum: Traditional dress
After the touristy atmosphere around Inle Lake in Burma, I found it a delight to travel up to the Shan hills and stay a few days in the less-visited town of Namshan.
Acheik Technique
Luntaya acheik, the celebrated “100-shuttle” tapestry fabric from the Mandalay area of Burma, is woven with tiny shuttles with tapered ends that allow them to do double duty as pickup sticks. Continue reading