
Cambodian hol fabric is patterned before it is woven, by tieing and dyeing the pattern into the weft threads. Continue reading

Cambodian hol fabric is patterned before it is woven, by tieing and dyeing the pattern into the weft threads. Continue reading

Ever since I bought my first piece of piece of 2/1 twill ikat silk in Chiangmai in 2001, I had wanted to see it woven, and finally in 2012 I was bumping along in a tuk-tuk heading out of Phnom Penh to Phnom Chisor to visit hol weavers. Continue reading
I was very impressed with the standard of weaving I found when I visited the Houey Hong Vocational Training Centre for Women. Continue reading

Cambodian hol is woven on a plain warp, with all the design being in the pre-patterned weft (see Hol Weft Preparation). Once the warp is wound onto the board that will hold it at the foot of the loom, the hundreds of ends of very fine silk must be threaded through the reed (heddles are created once the warp is on the loom).
I purchased my first piece of 2/1 twill ikat in Chiang Mai in 2001, and as well as loving the soft pattern edges created by tying and dyeing the yarns before weaving, I was transfixed by the way the weave structure affects the colours as the fabric moves. Continue reading
I have Air Asia to thank for discovering this museum: they cancelled my onward connection Kuala Lumpur to Vientiane and gave me a whole day to fill in KL. Continue reading
Chonabot in Khon Kaen province is a centre for very fine mat-mii weaving. Continue reading

Patan in Gujarat is famous for the tradition of weaving patola, or double ikat since the 12th century. The process of tie-dyeing both warp and weft threads with such a fine pattern, and weaving so as to align these patterns in both sets of threads requires enormous skill and care. Continue reading
Ban Saluey is a village specialising in mat-mii (ikat), where the threads are tied before dyeing, and then those patterned threads are lined up carefully as they are woven to reveal the pattern again. Continue reading